Friday, July 30th through Sunday, August 1st

  • All art supplies are tax free
  • Purchase online for pickup later

Please make an appointment to determine what you’ll need if you’re returning from last year.


Students must begin with enough supplies for the entire year (so we don’t interrupt classes as much). If you do run out or lose something, we’ll provide it and charge your account at the end of class.


Foundations, Creations, and Toons – ages 8 to adult – Order supplies with the button below and they’ll be ready at the studio on your first class day!



KidsART – ages 6 & 7 – Personal supplies are $50 for the year (classroom supplies like paint are included in tuition). Order the KidsART supply box for your student when you register, or we’ll add it to your first month’s tuition payment.


Firstlight students need specific items for lessons. We have worked hard to make supplies as affordable as possible – without sacrificing quality where needed. Substitutions with lower quality supplies makes artists frustrated, because they just don’t work well. If you’re going to shop yourself, please make sure you get the exact supplies required. If you show up without a specific item, it will be provided and you will be charged for it during class.

Supplies at Firstlight

Supplies are always available at our studio at

15% off the MSRP.

More About Supplies

Selected from experience.

Tested like crazy with students.

Below is a list of all the specific supplies that are used in our art lessons. We’ve been using this supply list for 15 years at Firstlight Art Academy, and Dennas has used and recommended this palette of colors for over 40 years. You’ll see a lot of basic and familiar items. However, we have streamlined this list as much as possible to keep the cost of supplies as low as possible.

You know how a bad brush is so frustrating you just want to throw it away? Well you should. A bad instrument creates an unhappy artist who will either quit, or create a frustrating work, and it will show. We have selected things that are the lowest expense, but that don’t frustrate artists.

Because the world needs happy artists!



What you need for our Online Art lessons and where to get it.

  1. A desktop printer
  2. Copy paper and card stock copy paper
  3. The supplies listed below
  4. Occasional extra items listed in the lessons
  5. A screen to view demos and resources
  6. A work area – with drop cloth if needed.

If you want to order from us, we can do a curbside pickup. Just email or give us a call.

Get your paper at any office supply outlet. Card stock is available in white if you look for it, and is a great worksheet print material since students can paint right on it.

Foundations list:

Full set of supplies we use in our all our lessons

(These are for ages 8 and up)

Scroll down below for pictures and full descriptions of each item.

  • 14 x 17 Sketch Pad
  • 11 x 15 Watercolor Pad
  • 12 x 16 Canvas Pad
  • 12 x 16 Palette Pad
  • Brushes – Set of 4
  • Waterproof India Ink
  • Pen nib holder
  • Artist Nibs
  • 2B Drawing Pencil
  • 4B Drawing Pencil
  • Ebony Pencil
  • White Soft Eraser
  • Kneaded Eraser
  • Soft Compressed Charcoal
  • Blending Stumps
  • Oil Pastel Set
  • 11 x 14 Canvas Boards
  • White Modeling Clay
  • Colored pencil
  • Sandpaper Board
  • Palette Knife set
  • Artists Tape
  • Drawing Board
  • Plastic carry case
  • Set of 10 acrylic paints (see below)

Acrylic Paints

Here are our 10 required colors that work for our program. All the colors except white should be student grade, but student grade white is very frustrating to use. We recommend professional grade white. We try to use single pigment translucent colors for versatility.

These are pigments that produce the largest range of colors when mixed. You can make the most vibrant colors, yet mix them down into some beautiful neutrals using our methods of mixing. All of them are as translucent as possible (except white), which allows these to be used for glazing, and for making inexpensive student-grade watercolors.

Note that sometimes you’ll see the word HUE on a color, such as Cadmium Red Light Hue. This means there is no actual cadmium in the tube. That’s good because cadmium is a heavy metal and is toxic like lead. You should be able to see the pigments listed, or at least a number for the pigment.

Pigment codes use the letter P for “pigment” and basic color name initials next, such as Y for “yellow” and R for “red”. B by itself is “blue”, Br is “brown”, and Bk is “black”. So PR23 is a red pigment


Tap the bars below to open each into a more in-depth description with pigment information.

1. Yellow Light

Other Names: arylide yellow, azo yellow, hansa yellow

Pigment: PY1.

Info: Intense yellow with no white or red pigments added at all. This needs to be a pure intense bright yellow.

2. Bright Red

Other Names: pyrrol, napthol, cadmium red hue

Pigment: PR254, or PR170

Info: pyrrol red PR254 is usually the brighter of the two. Napthol is PR170

3. Magenta

Other Names: Quinacridone, Crimson

Pigment: PR282

Info: quinacridone is by far the most vivid magenta color.

4. Violet

Other Names: dioxazine, quinacridone violet, permanent blue-violet

Pigment: PV23

Info: quinacridone violet PV19 is sometimes mixed in with dioxazine violet PV23

5. Ultramarine Blue

Other Names: French Ultramarine

Pigment: PB29

6. Cyan Blue

Other names: Phthalocyanine Blue, Cobalt Blue Hue, Cerulean Blue

Pigment: PB15

Info: cerulean PB35 is ok but more toxic, cyan PB15 is more versatile, although a derivative of Phthalocyanine Blue. There are many variations of PB15, a copper-based pigment, and several tubes that list this can actually be different colors. Cyan or process Cyan are the most vivid versions, usually.

7. Phthalo Green

Other Names: Phthalocyanine Green, (blue shade)

Pigment: PG7

Info: get blue shade, if noted.

8. Raw Sienna

Pigment: PBr7, or PY43

Info: this is actually a dark yellow, and can be made from various pigments: PBr6, PBr7, which are almost identical, and PY42, PY43, which are chemically identical. All of these are variations of iron oxides. The apparent color of raw sienna will vary significantly from brand to brand

9. Burnt Umber

Pigment: PBr7, or PR101 & PBk11

Info: traditionally made with brown iron oxide PBr7, cheaper brands will use a combination of synthetic iron oxide red PR101 and a bit of mars black PBk11 to darken it. It works well though.

10. Titanium White - Professional grade

Pigment: PW6

Info: larger tubes are economical and the professional grade will be used less.